Mona Hatoum


'The Blues No.1 - 12.7.2020/21', 2022 (detail), Published by Migrate Art

Mona Hatoum’s poetic and political work incorporates installations, sculpture, video, photography and works on paper. Hatoum started her career in the 1980s making visceral video and performance work that focused intensely on the body. Since the early 1990s, however, she has increasingly created large-scale installations that aim to engage the viewer in conflicting emotions of desire and revulsion, fear and fascination. In her sculptures, Hatoum transforms familiar, every-day items such as chairs, cots and kitchen utensils into works that seem foreign, dangerous or even threatening. These often use grid or geometric forms to reference systems of control within society.

Atelier JI was proud to produce the ‘The Blues no. 1-12.7.2020/21’ 5-layered screen printed edition for Migrate Art and Mona Hatoum as part of the Scorched Earth project to raise funds for RefuAid, Refugee Community Kitchen, and The Lotus Flower, all of whom help refugees across the world.

Editions


In the Studio


In 2020, Mona Hatoum contributed ‘The Blues No. 1.12.7.2020/21’ to Migrate Art’s ‘Scorched Earth’ Charity Auction. Migrate Art presented a collection of new works created in direct response to the widespread burning of crop fields in Iraqi Kurdistan.

Following the success of the ‘Scorched Earth’ auction, Migrate Art began creating limited edition prints to further support this humanitarian and ecological disaster. Atelier JI created several editions, including ‘The Blues No. 1.12.7.2020/21’ for Migrate Art and Mona Hatoum.

Find out more at migrateart.com

Video by Migrate Art